Photo Klassik International 2019.III
This arrived pretty much the same day as the review of the previous two went up.
It’s taken me most of the time since to get through it, with one thing and another. Once again it is an engaging read, with a wide variety of types of article. I think every time I dipped into it I hit something different.
When it comes to calling out particular favourites, I found it hard this time, it was all good.
I did enjoy the “Expressive Printing” article by Andrew Sanderson. As with the other printing/darkroom articles in this and previous issues, I found it really interesting to see how the final output can be controlled, and the variety of vision possible from one negative. Especially using only light, lenses and chemicals. Given how much I dislike scanning I am slowly thinking I should explore either a local darkroom or a home darkroom in the future.
I enjoyed the sheer difference of George Horsington’s “By the Light of Distant Stars” portfolio. A vision and results that are fascinating.
That said the whole issue was excellent, and I still recommend everyone subscribe to it.
Photography Books Magazines Review